Nana Shiomi is an extraordinary artist-printmaker who studied with us at the Royal
College of Art from 1989-1991 and subsequently has gone on to a strong career
exhibiting her own work and teaching.
She exemplifies the interchange of influences between all parts of the globe but very
particularly between East and West that the Royal College has been proud to
nurture.
From my first encounter with her, I have noticed a 'certainty' in her work. Her vision
has a clarity that the precision of printmaking draws out and yet there remains an
enigmatic and intriguing space that defies complete analysis. Thus her work is
delightful to look at and yet disturbing.
She talks about this fascination with duality and how the print is the perfect vehicle
for this interest. Nana's work quietly gets on with the job of describing a new
imaginary territory at the same time as re-appraising the worlds we come from.
Technically her sure touch never lets her, or her audience, down. It adds significantly
to the tradition of Japanese printmaking but lies with great affection in the heart of
our European heritage.
I commend you to the work of Nana Shiomi.
Professor Chris Orr
Head of Printmaking, Royal College of Art (1998 - 2008)
